I still love zombies. I always have, and I always will. There are a lot of people, however, who would have you believe that everything that can be done in the zombie genre has been done. The Collective begs to differ. According to JABB Pictures, there’s life left in the old, shambling, desiccated corpse yet; and they’re out to prove it with The Collective Volume 5. You Cellmates already know of my love for JABB and these collections. You also know what the deal is with these by now, but for those new to this Dead Man’s Party (admit it, it’s stuck in your head now, isn’t it?), here’s how this goes. 10 different filmmakers (actually, 8 this time around) are given a central theme. For Vol. 5, it’s zombies. They each produce a 10-minute short film giving their take on the concept. So, did Jason and crew breathe new life into a tired genre, or are they just beating a dead horse? Let’s see…
Marauders – Jason Hoover
In the aftermath of the
zombie apocalypse, a group of psychos terrorize the survivors. Jason
Hoover’s are usually among my favorite entries in these Collective collections,
but this one was all style over substance.
Visually, it’s got a cool idea, with everything in black and white
except certain colorized characters or items.
As usual, Jason shows he knows how to move the camera and compose a shot
well. The problem is that nothing much
happens. There are some really nice
touches that make the Marauders creepy and interesting, but we spend way too
much of this watching them driving around hoopin’ and hollerin’. When the mayhem finally does start, it’s of
the “out of frame” variety. I like the
look, but a story, or at least a clear concept, would have been nice. It’s also the least “zombierific” of the
bunch, as we never see a zombie., and it actually could have taken place in any
post-apocalyptic setting. There is one
line in particular that is REALLY funny though.
A man is bitten by a
zombie, and as the change takes hold, that inner voice just won’t leave him
alone. That’s gonna make his date
tonight a little awkward. I loved this one. I’m a big fan of animated opening credit sequences, a-la Night of
the Demons or Blacula, so I knew when I saw one that this was gonna be good. While I could do without the occasional “same shot/jump cut” thing, everything else
was perfect. The verbal interplay
between out protagonist and his inner zombie voice was hilarious and played
very well by Noah East. The comic
timing is on point. In fact, the people
I watched it with and I imitated that voice for days. Very well done horror comedy, and definitely the best use of the
Zombie theme. One of the two major
highlights of this volume. I wouldn’t
mind seeing a sequel to this.
They Said They Were Here To Help – Over Analyzed Productions
When a strange plague begins, a freelance journalist finds himself in the middle of a government cover up. This is a case study in how to pick a great location and squeeze every last bit production value out of it. It ends up looking way better than it probably should for the budget. While his climactic monolog seems somewhat forced, Collective veteran Brad Scaggs does a good job in the lead role. The atmosphere reminded me a little bit of the original 1973 The Crazies. By the way, if your goal with the name of your production company was an inside joke on us reviewers, then well played Over Analyzed. Well played.
Consumption of the Heart – Copp Films
A couple’s romantic flame has fizzled…until they discover that a mysterious plague is also a potent aphrodisiac. This is the other big highlight. I dig this kind of psychosexual stuff a lot, but too often it’s done completely from the crotch and less from the brain or heart. While it’s certainly the most erotically charged entry in the series to date, it is also an intelligently told “love” story. It works on a “blood and tits” level, but it also works on an “exploration of how mankind, stripped of their limits, will follow desire to the point of self destruction” level. Visually, I was impressed by the use of color. Some scenes have a bit of a middle-period Argento look to them. Could Italian horror have been an influence? The Cat in the Brain poster on the bedroom wall says maybe. The strength of The Collective is that different filmmakers get to show off their unique styles, and this one certainly has a lot of style. Great stuff.
A(Gore) aphobic - Quattro Venti Scott
Productions
During the zombie outbreak, a woman trapped all alone in her apartment
does her best not to lose her mind. With the
exception of a couple of scenes of the zombies outside (which are probably the
best looking zoms in this collection), we spend the entire time in the
apartment watching our heroine slowly lose it.
With a movie of this sort, you have to have a great performance out of
your main actress. Now don’t get me
wrong, Athena Prychodko is good, and she would have been fine in a normal role,
but one written this introspectively required a little heavier dramatic lifting
than she could pull off here. If she
had been given a little more to do, it might have worked a lot better. Also, those pesky sound level issues rear
their ugly heads here.
Zombie Soup – Liberty or Death Productions
A bunch of people, including some of the Collective filmmakers, answer
questions about the zombie phenomenon. This is where this
volume really heads off the rails and careens downhill for me. In all of the previous editions, there were
entries that I loved and entries I hated, but they were all artistic endeavors
and felt like the filmmaker actually had something to say. For the first time, I feel like the
Collective has filler. This ten-minute
talking head segment offers up a couple of laughs (certainly NOT the lame
political jokes); but – if anything - this should have been a bonus feature on
the disc rather than one of the shorts.
It feels like they were short a segment and had to whip one up right
quick. Honestly, as I watched it, I was
shocked that this made it in.
(se)XX
_ Z(ombie) – Silence in the Dead of Light
What’s
a group of gals to do for sexual satisfaction in the age of zombies? Well, they could take care of each other…or
they could use the ghoulish dudes locked in the basement as undead sex toys. This is a pretty cool concept; an old school silent movie with
old school silent movie music and old school silent movie title cards. The whole “zombie sex slave” idea is pretty
cool too. Unfortunately, the possibilities
presented by that central conceit are barely explored. True, the proceedings are livened up by some
zombie sex and a hilariously awkward “lesbian scene” (if you can call it that)
between two ladies that seem like they’d rather be doing anything else besides
said scene, but way too much time goes to watching zombies in their tighty
whiteys milling about. I wish the
actual relationship and conflict between all of the girls had taken center
stage more. It does show progression as
a filmmaker on the part of Athena Prychodko since her contribution to Vol. 3,
so I’m interested to see where she goes from here.
Spooky Stuff: The Zombie File – Liberty or Death Productions
A couple of ghost hunters go to haunted locations looking for
zombies. Um, what? At first I thought this was just a parody of
internet ghost hunting shows. Later, I found
out that these guys do a real internet paranormal investigation show. I wish I had known this was a joke episode
of an actual “reality” series. I would
have understood what was going on better, and I would have seen that godawful
ending coming. Robin is actually a
great personality on the web series, but she doesn’t get a chance to shine
here. The last location they visit, the
100 Steps Cemetery in Brazil, Indiana, has a really cool legend that could
actually be a great basis for a short, but the “ghost hunt” format and overall
jokey tone completely kill it.
The Dead Things Outside Your Door Parts 1 and 2 – Graphik 13
A grumpy electrician must save his ex from a drug dealer and zombies. As with last volume, the last two segments
are actually a two-part flick. I was
hoping for another fun as hell “Bloody Hooker Bang Bang” style romp to salvage
the second half of the collection. I
didn’t get it. What I got instead was
garden-variety splatstick. The opening
title cards and stock footage would have worked much better as a voice
over. I’m sure the style of the humor
will be some folk’s cup of guts, but for me it felt flat and was not quite as
good as I’ve seen from these guys before.
I did enjoy all of the homages (Romero Realty, O’Bannon Construction),
and the callback to Snapcase (Graphik 13’s excellent entry from The Collective
Vol. 2) was awesome. There are a couple
of choice bits of zombie mayhem, but the devil was in the details. You do not bang a foam hammer against a door
if you’re not going to insert the appropriate sounds. Speaking of sound effects, many of them seem to have been chosen
for comic effect, which didn’t work. I
love the old “blood splatters onto the camera lens” gag, but it only works with
practical blood. With CGI, it just
looks cheap. Maybe I’m just being picky
about my comedy, as I tend to do, but this one really didn’t do it for me.
Man,
I hate to say it, but overall this one was a bit of a letdown, especially
considering just how great volumes 1-4 were.
The bad news is that Collective veterans Over Analyzed, Jason Hoover,
Quatro Venti Scott, and Graphik 13, while not all turning in bad entries per se
(They Said They Were Here To Help in particular), each turn in their weakest
work of the series. What makes it worse
is that I know from the other Collectives that all of these guys are capable of
making some killer shorts. How did all
of you have an off day at once? Liberty
or Death, um, I’m not sure what the hell happened there. Did you guys just stop trying, or was it a
“down to the wire, have to turn in something” situation? Either way, their two entries were hands
down the worst of this bunch, and drug the overall average down with them. Silence in the Dead of Light is the only
production group who shows up better than they did before, as (se)XX _ Z(ombie) is a vast
improvement over Jog from vol. 3. This
volume was extremely lopsided, with the four films I really dug being the first
four. After that, it kinda crashed and
burned.
The
good news is that both newcomers to the series, Arsonist Pictures (Joshua Hull)
and Copp Films (Andrew Copp) knock it out of the park. Voice Over and Consumption of the Heart both
actually offer up something rare in the horror market right now, as well as the
idea The Collective Volume 5 was based on…a unique twist on the zombie
genre. Voice Over goes for laughs, and
it delivers. Consumption of the Heart
is more artsy and transgressive, and it succeeds admirably. This was my first exposure to both of these
filmmakers’ work, and I’m excited to see what else they have to offer. Hopefully they will take part in future
Collectives, because these two shorts are fantastic.
I
know I’m being awfully hard on this one.
I remember when I was a kid and my folks used to give me that “If you
were a C student, we’d be happy with these grades, but we know you’re capable
of A’s, so you’re grounded” bullshit.
That’s kinda how I feel about The Collective Volume 5. I think the problem here, and I know for a
fact that at least one person heavily involved in the production feels the same
way, is that it’s a case of burnout. 3 of
these have been released in 9 months.
That’s just too much. Slow
down. Release one every 6 months
maybe. I don’t want to give you the
wrong impression though. It’s still
definitely worth checking out. They
just set the bar so high, especially with Vol. 4, that it’s gonna be tough to
consistently hit that level of badassery.
Trust me, Voice Over and Consumption of the Heart alone would make this
a worthy purchase, especially considering that it’s only 10 bucks. That’s still one of the best horror
entertainment values going. I guess The
Collective is kinda like sex. When it’s
good, it’s great! When it’s sub
par…hell, it’s still pretty good.
One severed thumb up. Nathan
says check it out.
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