What Halloween Means To Me '14: Nick Principe

I first noticed Nick Principe in his killer turn as Chromeskull in the best slasher flick of the last decade, Laid To Rest.  He also damn near stole the show in the criminally underrated The FP, and I can't wait to see his work in Ryan Nicholson's new movie Collar.  He was also one of my fist on camera interviews.  So, Nick, what does Halloween mean to you?

“Ahhhhh Halloween .... The horror fans holiday.  It just doesn't get any better than the month of Oct; haunted houses and pumpkin.... well pumpkin EVERYTHING! Going to CVS, or any store and seeing monsters and creatures cute and scary next to cheap crap make up and Scream masks. The billboards off the highway of all the haunts and hayrides makes you wish it was all year round.  

In my youth I'd start building my costume at the end of August cuz, like most New Englanders, we were broke !! But that's fine.  Having financial limitations can bring out a creative side you might not have known you even had. As a young boy I'd try to put together at least two costumes so I could hit my neighborhood twice and get double the candy.  If our parents were up for it, and usually they were, they'd take us to the nicer neighborhoods where they'd dish out the FULL sized candy bars and not the "fun sized" ones most houses had (and what's with the term fun sized? Why does that mean tiny??) As I got older the costumes got more advanced, the girls outfits got skimpier (international allowed to dress like a slut day as some call it), and house parties and cemetery parties replaced trick or treating.

In my late teens I was lucky enough to play music professionally, which took me around the world more than a few times and allowed me to experience Hallows Eve MANY diff places. Almost booking our tours around the 31^st and making sure we were some place spooky for that amazing day.... like seeing the Cramps in Austin. Or how about the Michael Graves era Misfits in New Orleans? Or even better Paris France one year for Samhain.   But no matter where it was around the globe, the best place in the WORLD for Halloween is only 30 mins away in Salem, Mass. For the entire month of Oct, Salem embraces the evil "witchery " that took place in the fall of 1692 where over 30 young women (and a few men) met their fate by hanging, being burned alive, or being pressed (held under rocks until it crushed all your organs and you bled to death internally).  But now on Halloween it is just a GIANT party.  The cobblestone streets are blocked off from traffic and thousands from all over come in costume to drink and be merry and have fun.  And then the weekend before Halloween is Rock n Shock.  It’s my favorite horror convention in North America because they combine my two fave things, horror films/culture and punk/hardcore/metal music ! At the Palladium, bands are playing from  late afternoon into the wee hours of night and at the DCU center horror vendors and celebs mingle with fans of the macabre ! If you've never been, it's a sight to behold.  

I get asked a lot if, since I play monsters year round and spend countless hours in the make-up chair, why would I want to do that to myself on my days off? Why??? F@$king why??? Because I LIVE for this stuff !!! The entire reason I do what I do is because I'm STILL the lil kid planning his costume in August.   I STILL want be someone else for a night I LOVE a great costume that you can stand in front of someone you've known your whole life and they can't recognize you ! You aren't who you were on Oct 29^th.  You're whoever you want to be. It's a silly reference, but I remember an old episode of Beauty and the Beast (with Ron pearlman and linda Hamilton ) where the only night out of the year that the beast could walk freely in the streets was Halloween.  All he would hear back instead of screams was "cool costume." And maybe deep down that's how I feel, cuz any other night I'm considered a freak.  But on Oct 31, I just have a cool costume and it's the freaks night to be themselves. So here's to all the freaks..... Have a great Halloween.”

 1 more day 'til Halloween, Halloween, Halloween.  1 more day 'til Halloween.  Silver Shamrock!

Review: Chromeskull: Laid to Rest 2

When I left the theater after first seeing Saw 4, my thoughts were “I just saw some cool stuff, my bloodlust is satiated, but what the hell just happened?” This is exactly the same thought that went through my mind after watching Chromeskull: Laid to Rest 2. I loved Laid to Rest, so I have been excited about this movie since it was announced. Chromeskull is still a cool character and the gore in this flick is excellent. The script, however, is, shall we say, lacking. It introduces elements that completely change the universe that the franchise takes place in, and then doesn’t explain a damn thing about them. As Joe Bob would say, there is WAY too much plot getting in the way of the story here.

The film opens in the convenience store moments after the first one ended. As Princess (no longer played by Bobbi Sue Luther unfortunately) and Tommy drive away, a black van pulls up to the store to retrieve Chromeskull’s body. Yeah, he seemed pretty friggin’ dead to me too, but apparently they can rebuild him. They have the technology. It seems unlikely that after the events of the first film he could be salvageable, but you really can’t take inexplicable villain resurrection to task in slasher sequels. I got two words for ya; Jason Voorhees. Anyway, at this point I was hooked in, as I couldn’t wait to find out who these mysterious people, led by none other than Brian Austin Green (hereafter referred to as BAG) were, why they had a stake in Chromeskull’s survival, and just exactly what C7 protocol was. Unfortunately, that would never happen. BAG then tracks down and kills Princess. No, that’s not a spoiler. Promo shots of her sliced up face are all over the place.

Then we fast-forward three months. Thomas, the raver kid who survived the first flick, is doing the whole “mentally shattered” thing. Chromeskull has been saved and is being nursed back to health by Spann, played by Danielle Harris. Preston (BAG) has taken charge of this organization’s mission, whatever the hell that is, in the big guy’s absence. The “mission” must continue though, so a new murder spree is planned, new weapons are made, and a new victim is chosen, seemingly at random. This time it’s Jess, played by Mimi Michaels. She has issues with her eyes, and is keeping a video diary as she gradually goes blind. She is abducted and taken to the warehouse that is now serving as Chromeskull’s headquarters. Can Tommy help the police find Allie in time? Will Preston cede the throne back to Chromeskull now that he’s back on his feet? What’s up with Danielle Harris’s eyebrow? Does any of this make the slightest bit of sense?

Let’s start off with the positives. The violence and gore is extremely strong. That’s really why we watch slasher flicks after all, isn’t it? With the exception of one kill near the end, which looks like crap, all of the effects seem to either have been done practically or with minimal CGI enhancement. This will come as no surprise to anyone who has seen the first one. Director Robert Hall is also an effects artist, so it’s fitting that the red stuff takes center stage in this one as well. Gorehounds, you will enjoy this.

Chromeskull, simply put, is a kick ass character. His “all black suit, shiny silver skull mask, shoulder mounted camera” look is unique and works perfectly. He’s a classy slasher. When you’re trying to create an enduring horror character, looking cool goes a long way. Plus, the sequel adds the extra element of his severely disfigured face, which looks sufficiently nasty. I also love that he has an iconic weapon. His knife is as much a part of the character as Freddy’s glove is for him. That knife is just plain vicious looking. The vast majority of the kills in this movie are knife based. The organization’s weapon makers have devised some new toys, but they are almost all variations of the original knife. I really want one of those.

The acting is a mixed bag. In the first film, the core group of victims that we followed were all likable characters. In this one, the good guys fall flat. Question: How could we possibly not get behind Jess, the poor nearly blind girl abducted and taken to Chromeskull’s wonderland of mutilation? Answer: Cast Mimi Michaels as said victim. It’s not that she’s necessarily bad, but she’s undeniably generic. Generic look, generic acting, generic scream, generic everything. Quite a step down from the talented (and oh my god sexy) Bobbi Sue Luther in the first one. Thomas Dekker as Tommy does his best “traumatized but still must fight to survive” act. Why, out of all the good characters in the first one, did the obnoxious raver kid have to be the one to survive? We spend a good chunk of the film’s running time with the detectives investigating Allie’s disappearance, and they are also pretty generic. The one exception is Angelina Armani as Holland. She does a good job. I can absolutely see her doing well on a cop show. She’s also a porn star doing her first mainstream movie role. I knew she was an, ahem, “talented on-screen performer,” but apparently she can act too.

The bad guys are the ones who shine here. Nick Principe as Chromeskull continues to be great. He brings a nice physicality to the role, and always seems like he’s enjoying his murderous work. BAG as Preston is also great. Yes, I did have to use that picture. It's just funnier that way. Anyone who has ever been middle management and thinks that they could do their bosses job much better than they do will identify with this character. ***SPOILER ALERT*** I think it was a big mistake to kill him off, as the “dueling Chromeskulls” idea could have played out nicely in the third movie, which they obviously set up for. I hope they’ve got something grand up their sleeves, ‘cause they threw away a compelling story there. ***END OF SPOILERS*** Danielle Harris is perfect as Spann. Her character, while not getting a lot of screen time, is a highlight of the film. We’re used to seeing Harris in victim roles, but watching her rocking that business suit as a villain was fun. I hope Spann figures prominently into any future sequels for this franchise. That’s one of those rare ideas in the slasher genre that hasn’t been done to death, a sidekick for the killer.

The organization itself was my big problem with this flick. It’s populated with interesting characters, but who the hell are they? I’m not a stickler for revealing everything about everyone’s backstory in a film. Hell, in the first LTR we didn’t get the whole story of what was going on. That was fine because the movie was structured to where we didn’t have to. If you are going to introduce a story element as important and convoluted as this, however, you have to at least explain some aspect of it. In this one, they were obviously going for “mysterious” but got “maddeningly vague.” We get no hints as to where they get the money to have all the high tech gadgets, maintain their swank headquarters, or fly in surgeons from Switzerland. Apparently their network is vast, well funded, and powerful. WHO THE HELL ARE THEY THOUGH? An even better question is what are they doing. They keep referring to “the mission” and “the plan”, but what grand scheme is being furthered by kidnapping and stalking these girls? What is their objective? It seems like the filmmakers just want to throw in as many elements at us as they can, and just say, “We’ll explain later.” I’m not OK with that! If your entire story is about an Illuminati type group, their internal power struggles, and their torment of a single victim, leaving every last detail about them out is not a good move. If you’re going to leave their motive in the dark, give me at least a little clue as to who they are. If their identity is secret, at least give me a vague explanation of their objective. As it stands in this movie, there are just far too many new concepts introduced without a shred of information to make them plausible. I get leaving the audience wondering, but the way it’s done here is more infuriating than intriguing. At the end of the credits, there is a scene that adds yet another element to Chromeskull’s story. It raises more questions than it answers too. Dammit!

Random Thought #1: It sucks that Bobbi Sue Luther wasn’t in this one. Allison Kyler looks enough like her that I was fooled at first. In fact, I was ecstatic that Bobbi finally did a nude scene. Then she screamed and I realized that it wasn’t her. Booooo.

Random Thought #2: It takes a true horror aficionado to be able to tell actresses apart by their scream. Just sayin’.

Random Thought #3: When the cops are outside of the warehouse talking over their entry plan, there are clearly 4 of them. Two seconds later they kick in the door, and five cops run in. Um, what?

Overall, Chromeskull: Laid to Rest 2 has…hey, wait a minute! Hold on, I think I’ve got the whole thing figured out. So Chromeskull is the leader of this vast underground criminal organization. He conceals his identity behind a metallic faceplate. His cronies do all the setup work, and he gets the credit. I’ve got it! Chromeskull is Cobra Commander! It all makes sense now! Lets see, that would make Preston Destro and Spann the Baroness. Wait, no, Spann fawns over Chromeskull, not Preston, so I guess Preston would have to be Dr. Mindbender or some weird combination of Tomax & Xamot. Honestly Chromeskull Commander, stalking and killing young pretty girls isn’t going to help your plans for world domination one bit. Sorry. You’ve had much better schemes than that. I mean hell, Cold Slither was a better idea. You know, maybe I shouldn’t have gone off on that tangent, because now you all know what a geek I am. Oh well. Knowing is half the battle.

Anyway, as I was saying, Chromeskull: Laid to Rest 2 has great violence, some good characters, a couple of good performances, and a great killer. You’d think that would be enough for me, right? Well, no. The story is just so muddled and unexplained that I found myself more frustrated than entertained at the end. In the first Laid to Rest, which is a modern classic in my book, it really didn’t matter that the story didn’t make a lot of sense, because the emphasis was on the “stalk and slash” aspects. The sequel, while still providing that visceral thrill, beats you over the head repeatedly with what you don’t know. It’s like when a TV show introduces a world changing plot point two minutes before the end of the season and leaves you with that unsatisfied “Really? THAT’S how you’re leaving it?” feeling. Movies can leave loose strings for the next one, but they should still work as a self-contained story too. That being said, I must have fallen for it, because of course I will be watching Laid to Rest 3. You might want to wait until the next one comes out and watch them back to back so it makes more sense. That is assuming the next one isn’t headache inducingly inconclusive too. One severed thumb up. Nathan says check it out. It will be available tomorrow.