Showing posts with label Full Moon. Show all posts
Showing posts with label Full Moon. Show all posts

Wednesday, May 2, 2012

Review: Dreamaniac

This review originally appeared at filmarcade.net

I got called out on something a while back that I never ever thought would be an issue. I was told, if you can believe this, that I’m “too positive” in my reviews. Apparently there are those out there, mainly other film critics, who feel that to be a critic you have to be overly, well…critical. I swear, I think some people start writing reviews just so they can tear movies to shreds. Maybe they’re right. Maybe I do make excuses for bad movies and go out of my way to accentuate the positive. The thing is, I love horror movies. I love ‘em. There’s something to dig about all of them. I guess the fact that I like far more flicks than I don’t like makes me less qualified. I guess to properly write about movies, I have to be a Roger Ebert style pompous windbag. Well, those of you who think I’m not hard enough on crappy horror flicks, you’re in luck, because today I’m reviewing Dreamaniac, a flick that’s just plain awful, and I’m calling a spade a spade; or in this case a turd a turd.

Here’s the synopsis…”In the sleep-stirring tradition of PHANTASM and A NIGHTMARE ON ELM STREET, DREAMANIAC introduces Lily, a deadly leading lady who makes Freddy look like a bargain basement boogieman. Adam is a heavy metal rocker and part time Satanist. When Lily enters his dreams, he uses black magic to summon her into reality. Too late, Adam learns that Lily is a succubus, a demon seductress who makes love to men and murders them – though not necessarily in that order. When she crashes Adam’s sister’s sorority bash, the blood flows and the body count rises. But Adam, entranced by her power, soon faces a tough decision. Will he break free to save his sister and her girlfriend – or will he experience the ultimate sensation of loving Lily…?”

What the hell happened here? That’s a pretty good concept, but man is it wasted. A lot is made on the cover and the synopsis of the “dream” aspect, but there’s really only one dream sequence in the entire movie, and that’s the first minute and a half. This is a little more accurate…”A naked guy walks down a hall, embraces a skinny, blood covered naked girl, screams, and wakes up. Later, he uses a couple of black candles and a library book to summon a Succubus, who bites him on the dangly bits. He lets his sister use his house to throw a party for her irritating sorority sisters and some ridiculously cliché guys. They proceed to try to get laid, eat hash brownies, snort coke, and occasionally get stabbed. Adam has joined forces with the Succubus, and it’s up to Pat, his girlfriend, to stop him.” Doesn’t sound too bad, huh? Well, it is. This movie is boring as hell. Nothing much happens except for a poor excuse for bad 7 or 8 person party footage and a LOT of talking. The tedium continues until what might be the longest, most uneventful fully clothed catfight in cinema history, followed by possibly the most idiotic, out of left field, “well that just ruins everything” twist ending you’ve ever seen. M. Night Slapnuts does twists better than this. The Village had a better twist ending than this. The Village! Yeah, it’s that dumb.

The acting? Well, it’s almost uniformly horrible. Adam broods hilariously, and the rest of the cast fight losing battles to give a little bit of life to their one note characters. There’s the man-stealing bitch, the dumb jock, the amiable slut, the bad boy, the “skinny tie and sunglasses at night” guy, etc. Particularly bad is the rich valley girl Rosie, played by Lisa Emery. Like, very rarely has, like, a more, like, totally mondo annoying character been, like, put on, like, screen, like. Sylvia Summers, who plays Lily, has absolutely no sense of menace to her at all. She’s not exactly giving Freddy a run for his money as the back of the box suggests. You know that girl at the party that acts half slutty and half crazy so people will pay attention to her? Yeah, that’s what she strikes me as. The one exception to the less than stellar cast is Ashlyn Gere, who gives a pretty good performance as Pat, Adam’s girlfriend. She would end up, after a certain very successful augmentation, becoming a porn star and giving even better, um, “performances.”

The story and acting aren’t why we watch these old “shot on video” forgotten gems though, now is it? Hell no, we’re here for the gratuitous nudity and gore. Let’s start with the nudity. It does have gratuitous nudity, but not the usual 80’s slasher flick fare. If you’re one of those people who laments that horror movies objectify women, enjoy this one, ‘cause the boys are on display this time. There is one short shot of some unspectacular boobs, and a whole heaping helping of bare man ass. Nearly every male actor ends up naked or in his tighty whiteys with the camera gazing lovingly at his crotch. Since David DeCoteau, one of the more outspoken gay horror legends, directed this it makes a lot of sense that the beefcake would far outweigh the cheesecake. Not my cup of tea, but if you’re into it, there’s plenty here for you. As far as the gore goes, it’s mostly of the “knife stabs into something off-screen and blood squirts into the frame” variety. There’s a decent amount of the red stuff, but none of the stabbings are at all convincing. There are two good moments involving a drill going through a hand and a head that will catch your eye. When they go in for the close-ups though, it looks like different film stock. Considering how high quality those shots were, I have a feeling they were lifted from another movie.

This flick does have the nostalgia factor going for it. Those looking for some serious 80’s, here’s some serious 80’s. It really doesn’t get any more 80’s than this actually. The outfits, the character archetypes, the music, the “not yet ironic” Def Leppard shirt, everything! This flick might as well be titled “Generic 80’s Direct to Video Horror Flick #17.” There’s a certain tenuous charm to terrible 80’s horror. This flick has a scant smattering of that charm. There is one pretty funny scene where Adam’s sister finds her boyfriend in bed with the bitchy slut of the group, and promptly pukes on them. Let’s see, going down the checklist here, drill, puke, nostalgia…yep, that’s about all the good stuff.

This is another one from Full Moon’s Grindhouse collection. The transfer is the same quality as it was on VHS. I have no problem with 80’s crap movies looking like 80’s crap movies, but the sticklers for pristine picture quality will want to pull their hair out over this one. This collection has some real winners in it, like Zombiethon, Filmgore, and Necropolis, but Dreamaniac is definitely one of the misses. I really wanted to like this one too, because I dig a lot of DeCoteau’s other flicks. Hell, I consider myself a connoisseur of bad movies, and it took me two sittings to get through this one. Pretty much the only things that keep it from being completely unwatchable are the 80’s nostalgia and the unintentional humor. I’m gonna be generous and give this one half a severed thumb up. Nathan says only check it out if you’re desperate.

Wednesday, April 11, 2012

Review: Zombiethon


This review originally appeared at filmarcade.net

Ah, Zombiethon, how I love you. This movie and I go way back. How far? To the big box VHS days, that’s how far. I used to rent this flick from my local video store on a regular basis. I’ve always had a thing for zombies. My zombie obsession predated the current fad. I was zombie crazy before it was cool. I have zombies on vinyl. Sorry, I went hipster there for a moment. If it happens again, just smack me. Anyway, I was originally drawn in by what is still some of my favorite cover art of all time (Wizard Video always had killer cover art), rented it, and fell in love with it. A couple of years later, I happened to find a copy on sale for 5 bucks. I couldn’t tell you how many times I’ve watched it. I also couldn’t tell you how many times I’ve lamented how obscure and hard to find it is. Well folks, thanks to Full Moon’s Grindhouse Collection, Zombiethon is finally available on DVD. Now you too can own a copy and witness the nostalgic 80’s flesh munching glory for yourself.

See? I now own two generations of Zombiethon.

Zombiethon is one of many horror compilation tapes released during the home video heyday. These featured clips from horror movies, presumably all the best parts, with some sort of framing device. They were advertised as “all killer, no filler.” Probably the best known flick of this type is Terror in the Aisles. That one featured short clips from A-list fright fare interspersed with Donald Pleasance saying a bunch of pretentious, pseudo-intellectual crap like “Perhaps we invent artificial horrors to help us cope with the real ones." Zombiethon features clips, and in some cases whole scenes, from b-movie zombie (mostly) fare, almost all of them involving gore and nudity, interspersed with some of the wackiest and most bizarre zombie scenes ever filmed. Now you tell me which one you’d rather see. Yeah, that’s what I thought. Zombiethon by a landslide.

There’s really no worry about spoilers here, as there’s really not a plot, so let’s just jump in brains first, shall we? We start off with a woman in a schoolgirl outfit being chased by a zombie. The camera spends most of the time looking up her skirt by the way. Charles Band, who owned Wizard video, never has been one to skimp on the sleaze. He chases her all the way to The El Rey Theater, where she goes inside, sits next to a bunch of other zombies, and proceeds to watch a truncated version of Lucio Fulci’s Zombie. This review may break the record for the most uses of the word zombie in one post. Anyway, all the good stuff is here, aka the nudity and gore. The zombie vs. shark fight is here, as is a smorgasbord of undead mayhem, including the scene that had a big hand in me renting this over and over. You see, I have an unhealthy obsession with the infamous eyeball scene from Zombie, and my video store didn’t have that movie, but they did have Zombiethon. Then we cut to a bikini clad girl on the beach, who is attacked by what I’m guessing is a robot zombie. No, it doesn’t make any sense, but who cares? This is Zombiethon! She runs away to the El Ray, where we now see clips from Zombie Lake. We start off with some underwater skinny dipping footage that can only be described as rather, well…gynecological. Lots of “Nazi Zombies attacking naked women” goodness ensues, culminating in some flamethrower action.

Then, in my favorite moment of the flick, a woman in a sheer white dress spouts some bad goth poetry on a beach. There’s something about a voodoo doll, and she takes off the dress. Then a zombie rises out of the sand and picks her up in his arms. As she embraces her undead date, she coos seductively into his ear “I want more out of life. Let’s go to a movie.” Guess where he carries his topless bride. Yep, to the good ol’ El Ray! This is one of my favorite ridiculous moments in cinema history. What does any of this surreal random crap mean? Your guess is as good as mine, but it’s brilliant in its weirdness.

After some footage from Oasis of the Zombies, another zombie chases a woman and her young daughter into the theater. Then the zombies watch scenes from Fear, aka Murder Syndrome. This flick is notable for two reasons. One, it’s the only movie in this movie (damn that sounds weird) that I haven’t seen. Two, it’s not even a zombie movie. I have no idea why it’s in Zombiethon. There are some gory murders, including one by chainsaw that I particularly enjoy, but no zombies. Hmmm. We then thrill to the hijinks of the incredibly fake looking zombies in the theater, including the zombie projectionist who is having a hell of a time switching reels. Some of the cheesiest music ever recorded plays over this “hilarity.” The Invisible Dead is up next, and it doesn’t have any zombies either. What the hell? It does have some terrible dialog, 70’s bush, and a semi-invisible gorilla however, so you can’t be too mad. In the meantime the little girl is playing with the zombies; who throw popcorn, remove each others heads, raise hell, and generally act like the usual Friday night crowd at your local multiplex. It was the 80’s, so at least they weren’t texting. After that there’s some footage from Virgin Among the Living Dead. Then, with just a touch of its burning hand, Zombiethon sends its Astro-Zombies to rape the land. Prime directive, exterminate the whole human race. If you don’t get that reference, I don’t think we can be friends any more. Anyway, the zombies decide to throw a party in the theater and it’s time to go home.

There is nothing I don’t love about this movie. Some of the zombies look awful. The music is cheesy as hell. The cutscenes make no sense. It’s so ludicrous that it’s beautiful. You also have the best parts of Fulci’s Zombie, which is one of the best undead flicks ever made, Oasis of the Zombies, which is one of the worst undead flicks ever made, and five more in between. The picture quality in some of the recycled video footage is sub-par, but that’s part of Zombiethon’s charm. It will take you back to the days when you didn’t have pristine quality prints of foreign gore films. This is how many of us started watching these movies, on worn out VHS tapes. The Hi-Def snobs can shut the hell up.

Those who grew up on this stuff, those who respect the history of the genre, and those after a retro horror experience will dig Zombiethon. It’s the perfect time capsule of the golden age of the video store. There’s plenty of shlock, blood, guts, and tits. Who could ask for more? For me, it’s a fun ride down memory lane, and I am ecstatic that Full Moon has made it available again. Now I can stop worrying about my VHS copy giving out on me. Two severed thumbs up. Nathan says check it out.
Related Posts Plugin for WordPress, Blogger...