Acid Bath Productions Announces "Catch Of The Day" And I Finally Announce The Giveaway Winner

If you could see my face at this moment, you would see a rarity among rarities.  A look of shame has actually crossed the normally shameless Son of Celluloid's visage.   Yep, I screwed up.  Way back before my hiatus, I had a giveaway for a copy of James Balsamo's flicks Hack Job and I Spill Your Guts courtesy of Acid Bath Productions Wild Eye Films.  Well, today I went to look in the "stuff to give away" box  and noticed those DVDs still sitting there. I never announced the winner.  Sorry about that Cellmates.  Without any further delay, congratulations to the randomly selected winner... Nicole Gould!  Thank you to everyone entered, and keep your eyes peeled, 'cause I've got some killer stuff to give away soon.

While we're talking about Mr. Balsamo and Acid Bath, he recently sent me the details of his newest project called Catch of the Day.  He's gonna be bringing his trademark "chock full of cameos" horror comedy style to us again in November.  Follow the flick on facebook HERE to stay up to the minute on the production.  Wanna know what it's about?  Read on...

BALSAMO IS OFF THE HOOK IN A BRAND NEW FLICK, “CATCH OF THE DAY”

NEW YORK, NY – Acid Bath Productions, the makers of “Hack Job”, “I Spill Your Guts” and “Cool As Hell,” announce the official anticipated release date of November 19, 2013 for a brand new Horror Comedy, “Catch of the Day.” Directed by James Balsamo, this buddy- cop masterpiece with splashes of mutant fish monsters and tons of splaststick fun is bound to get you excited.
Officer Rod Davis becomes embedded undercover when a cartel starts brining drugs into the city through shipments of fish. He soon finds himself and his city under siege when a scientist accidently creates mutant fish people with a poisonous bite. It's up to the rookie cop and a sexy lab assistant to find the drug stash and destroy the crime lord controlling the mutant monsters, but it turns personal when Rod's sister is kidnapped. Are they fighting giant mutant fish monsters just for the halibut? See the badge, bass, and ass in a horror-comedy that you won't want to throw back... because it's the "Catch of the Day."
The film features Tuesday Knight, Jake ‘The Snake’ Roberts, Debbie Rochon, Johnny Legend, Jennifer Banko, Irwin Keyes, Carmine Capobianco and lead singer of Suffocation Frank Mullen. The laugh-out-loud comedy adventure also features music by MxPx, Less Than Jake, Something To Do and many, many more.
The flick is already available for pre-order online through the Acid Bath Productions site at www.acidbathproductions.com/store. The trailer is available online HERE.

Giveaway: Hack Job and I Spill Your Guts

It's time for another giveaway.  I do so love spreading the horror wealth to you Cellmates.  I feel like a blood soaked demented Santa Claus or a mutant cannibalistic Bob Barker or something.  Anyway, this one comes to us courtesy of Wild Eye Releasing (get both of these flicks and check out all of the other indie horror goodness they've got to offer HERE), Acid Bath Productions, and James Balsamo.  Balsamo's new flick, Cool As Hell, hit store shelves everywhere yesterday, and I'll be reviewing it on Friday, but before you go pick up your copy you've got the chance to win DVD copies of his first two movies, Hack Job (REVIEW) and I Spill Your Guts (REVIEW).  That's more low budget gore, laughs, chills, monsters, wacky horror and metal cameos, great music, and gratuitous tits than you can shake a stick at.  So here's what you have to do...

This is a video of my chat with James at Days of the Dead Atlanta.  In this clip, we give you a secret password.  Watch the video, then come back.  Oh come on, it's only, like, 3 and a half minutes.  These are good flicks.  I gotta make you work for it a little bit.  Fun Fact - This was at the tail end of four days of heavy partying and no sleep, so I barely even remember doing this interview. 

Now that you've got the password, follow these 3 easy steps to enter...

1. If you haven't already, go like the Son of Celluloid facebook page HERE. 

2. If you haven't already, go like the Acid Bath Productions facebook page HERE.

3. Send an email to fromhell13@aol.com with "Cool As Hell" as the subject.  Make sure it contains your name, your address, and the secret password.

The deadline is March 6th, so get cracking and win some cool flicks.  And always remember the Son of Celluloid battle cry...Support Independent Horror!

Interview: James Balsamo of Acid Bath Productions

In my mind, it almost feels like James Balsamo's Acid Bath Productions and Son of Celluloid have grown up together.  His filmmaking career started around the same time the blog did, and he was one of the first filmmakers to contact me about reviewing his flicks.  He's a good friend of the blog, and I look forward to meeting him in person at Days of the Dead Atlanta, where he's gonna be a guest.  See, there's yet another reason to go HERE and enter the contest for passes to the convention.  He's gonna be a guest at Texas Frightmare Weekend in May (details HERE) too.  I got in on James's work at the ground floor with Hack Job, then watched his progression in I Spill Your Guts, and now, as the release of his third feature Cool As Hell approaches, I invited James to talk to the Cellmates about nudity, old school movie novelizations, filmmaking, Troma, and Oderus Urungus's Ed Wood moment.  Check it out...

SOC:  When was the first time you remember watching a horror movie and thinking “THAT’S what I wanna do with my life!”

 JB: I was eight years old and watching Friday the 13th Part III with my father – I was loving every minute of it (until they showed Jason's mother's severed rotting head...that scared the crap out of me). Soon after, my own mother (with a head on her shoulders) asked me if I wanted to join an acting school. That's when it hit me! I could be that guy behind the mask. I'm not a sports fan or a horticulture enthusiast; I eat sleep and breathe horror films, so it was clear from a young age I wanted to live and work among the monsters and madmen of cinema universe.

SOC:  You were an intern at Troma for a while. What did you learn about filmmaking and the film business during your time there?

JB: Troma was a great learning experience. I missed working on set for Poultrygeist. I started working there after they had wrapped Night of the Chicken Dead, and left Troma way before they started their new venture, Return to Nuke ‘Em High. So, I ended up learning the ropes of the business side of film making, and it is a business. Becoming CEO of my own company was no easy task. Troma helped me lay the ground work by teaching me the ropes and making me take out the trash and sweep. I recently returned to Troma to tell Lloyd Kaufman and Michael Herz that my films were sold all over the world. Lloyd and Michael shook my hand and said that I went from errand boy to respected film maker. I couldn't have done it without the help of Troma, but now Acid Bath Productions is making a name for itself.

SOC:  Your movies are always packed with cameos (Dave Brockie, Lynn Lowry, Tim Ritter, Joel Reed, Andrew W.K., Debbie Rochon, Carmine Capobianco). How do you go about getting all of these great people involved?

 JB: Acid Bath Productions is a growing company. Now that we have worked with so many major artists, people contact us left and right to work together. It's really an amazing thing - while making "Hack Job,” we reached out to so many people in the horror community that we really made some strong roots that have helped us branch out to so many new notables.

SOC:  If you could pick anyone you haven’t worked with yet to be in one of your flicks, who would it be?

 JB: Dick Miller. I'm a big fan of his work. One of my favorite Miller films is "Demon Knight". I was honored to recently be asked to be a guest with Dick Miller at Days of the Dead convention in Atlanta. So, I’m looking forward to meeting him in person.

SOC:  Considering some of the real life characters you’ve worked with, I bet you have some pretty funny on-set stories. Care to share one with us?

JB: Filming is always an adventure. Working with some of the industry's top notables is really the icing on the cake. There are really some great stories on set, like when filming "Hack Job," Dave Brockie dressed as Oderus kept screaming that this was his Bela Lugosi moment, as if I was Ed Wood making "Plan 9". We filmed with Lynn Lowry at her house and she has cats...I'm allergic to cats. She starts rubbing my face out of nowhere in the scene, so I had to take a break to have an allergic reaction coughing fit on her front lawn. There are so many stories on set I think one day I'll write a book about my adventures so I don't want to give too much away.

SOC:  Your films also feature lots of gratuitous nudity, which is becoming a rarity. Why do you think horror movies these days generally shy away from nudity?

 JB: I really don't know why horror movies shy away from gratuitous nudity now, but Acid Bath Productions is picking up the slack. We are jam packing our films with all the bare skin you can shake a fist up and down to. Nudity is a primal desire, and we’ve picked up a motto that anyone that tells you they don't enjoy nudity is too afraid to admit it. We don't make porn; we just know how to make our audience happy. Filming it isn't a bad perk either, but it is always a professional atmosphere for the cast and crew on set when we have nude shoots.

SOC:  There seems to have been a big resurgence in anthologies on the indie horror scene lately, with Hack Job being near the beginning of the wave. What made you decide on an anthology for your first flick as opposed to a regular feature?

JB: "Hack Job" really spear headed the comeback of anthologies. In fact I had self-distributed "Hack Job" months before "Chillerama" hit stores. I had always wanted my first film to be an anthology. I started out making short films, and an anthology is essentially short films sewn together with one overlying story. Needless to say, this is a great format for starting film makers. I grew up on films like "CreepShow", and "Tales From The Darkside.” It was a great starting point to pay homage to those films.

SOC:  The Bloodsucking Zombies From Outer Space, who did the theme song from Hack Job, are one of my favorite bands of all time. How did that collaboration come about?

JB: I was a big fan of BZFOS myself, before we worked together. I told them about "Hack Job" and they loved the concept of collaboration. I sent them the lyrics I had in my mind and they wrote an amazing song around it. We have become such good friends since "Hack Job," we decided to work together again and they did the theme song for my new film "Cool As Hell".

SOC:  With the war veteran motif of I Spill Your Guts, were you going for social commentary or was it just a good backdrop for the blood and tits?

JB: The military was a great backdrop for revenge and mutilation. I'm not a preachy filmmaker and I don't use my films as a soap box to stand on. I have my own views on the world and I just try to play devil's advocate and show both sides of the bayonet, so to speak.

SOC:  A novelization of I Spill Your Guts is a cool idea. Very old school. Did you always envision ISYG as a book and movie, or did the book idea come later?

JB: The novel idea was not something originally planned from the start, but now that the film has been adapted I couldn't be happier with it. Nick Kisella did an amazing job and he really makes the blood run right off the pages. You should go get a copy!  

SOC:  A lot of the time, the book and movie will have plot differences. How closely does the book follow the flick?

 JB: More or less, the plot is the same, but some of the kills have been modified. There is also a ton of character development. The novel really portrays Dennis (the killer) as the victim and you take his side of the story. As most horror movie fans know the killer is star of the show, and the novel really keeps The American Executioner burning bright as he hacks and slashes his way into our hearts.

SOC: Speaking of Old School ideas, I Spill Your Guts just got a limited edition VHS release. What are your thoughts on the whole collector’s VHS market that has sprung up all of a sudden?

JB: Let’s just say there is a VCR in my soul and when Matt from Horror Boobs Video contacted me about doing a release on VHS, I had to "tape" him up on his offer. Is that enough with the VHS puns or do I have to be kind and rewind?  Zinger!

SOC: What has it been like working with Wild Eye Releasing? They seem to have been on a roll lately, putting out some great indie horror flicks, including Hack Job and I Spill Your Guts.

 JB: Working with Wild Eye has been great. "Hack Job" really sparked the wave of awesome titles they released. Wild Eye and Acid Bath Productions will be working together again to release "Cool As Hell".

SOC:  Your next flick, Cool as Hell, is coming out in February. Tell us about it.

 JB: Rich wasn't always a samurai sword wielding zombie slayer! He was your average comic book store employee, until he met a demon named Az. When Az came from Hell, he left the portal open and a soul hungry beast escaped. Rich and his roommate Benny used to have girl troubles, but that's the least of their worries now. They have to stop the creature and the living dead that have crawled out of Hell. Who would have thought Rich would have to save the world just to get laid?

SOC:  After Cool as Hell, what’s next from you and Acid Bath?

 JB: Acid Bath Productions has yet to officially announce its next project, but I can tell you that you will see the American Executioner kill again.

SOC:  What quality is more important for an indie horror filmmaker to possess, technical skill or passion for the genre?

JB: As an indie filmmaker I believe it's important to have both. Technical skill is essential because as an indie filmmaker, you are competing with the best and you have to hold some ground in the industry. Horror fans have something most other genre viewers don’t - suspension of disbelief - they accept the fact that a monster could roam the streets or that a hockey masked zombie could come back again and again after "dying" at the end of sequel after sequel. That takes passion and I think that is what really makes a great indie filmmaker.

SOC:  Any last words for the Cellmates (readers)?

 JB: Be sure to follow us on Twitter @acidbathproduct and don't forget to pick up your copy of "Hack Job" at hackjobmovie.com and "I Spill Your Guts" at ispillyourguts.com. Don’t forget that "Cool As Hell" hits stores worldwide February 19, 2013. Also be sure to check out the "I Spill Your Guts" the novel HERE. 

Cool As Hell Trailer:

Review: I Spill Your Guts

Watching James Balsamo’s new flick, I Spill Your Guts, and to an extent his first film Hack Job, is kinda like having my most recent ex-girlfriend tell you a story. It’s a very “stream of consciousness” storytelling style. There is a central through line, and it will end up at the right place, but on the way there it will meander, split off, and follow tangents; weaving in and out of itself so many times that occasionally you forget what the actual story was until you unexpectedly find yourself back in it. The difference is, with I Spill Your Guts, at the end of the approximately hour and a half long experience, you are left entertained and glad that you went for the ride instead of just being glad it’s finally over. Also, I doubt the movie would get all butthurt if you start singing “The Neverending Story” at it. There is one similarity between the flick and one of (name withheld)’s grueling stories though, if you find that the movie isn’t working for you for one reason or another, you always have the option of just zoning out and focusing on the tits.

Synopsis: “Two friends Dennis and Joe join the military together. While on a routine mission, the two are quickly surrounded by enemy fire. When Joe stands up in the line of fire to run, Dennis pushes him out of the way and takes a bullet in the throat. Dennis wakes up in hospital to find Joe rewarded as a hero. Joe told a lie and took all the glory, and Dennis was left as a mute from the accident. Dennis can't talk, but actions speak louder then words. The two return home to N.Y. and now the war rages in the streets. Dennis wants revenge on Joe, so he will kill everyone close to him. One little lie will cost so many innocent lives.”

One of the things I enjoy about finding a director early on in their career is watching the evolution of their work. I really enjoyed Hack Job (REVIEW) as a first feature, and it’s interesting to see Balsamo’s progression as a filmmaker. One of the main differences between the two movies is that this time Balsamo went for a single story instead of an anthology. To be honest, with how “all over the place” Hack Job was, I had my doubts as to whether or not he could pull off a feature length plotline. He does so quite well actually. As I mentioned, it does swerve all over the path, and we see the writer/director’s penchant for asides like showing a music video in the middle of the flick or a scene involving wrestling that has nothing to do with the central plot, but it’s not a problem. He definitely makes it work and the central story stays strong. In I Spill Your Guts, the schizophrenic energy of Hack Job has actually gelled into a legitimate, discernable filmmaking style. Those who subscribe to auteur film theory could make an interesting study out of Balsamo. He even manages to skillfully use social commentary without becoming preachy, a feat that some of the genre’s old masters even have trouble pulling off.

While it does maintain a sense of humor, ISYG is far less silly than HJ. The story of a veteran coming home from war and turning psychotic and homicidal is not exactly new. That motif has been used in films like Forced Entry, Combat Shock, Death Dream, The Ravager, The Exterminator, Targets, Cannibal Apocalypse, Bayou, and others. The “revenge for stolen glory” angle is a new twist, however, which is always appreciated in the often derivative world of low budget filmmaking. Not only is the story fresh, but The American Executioner (who Balsamo also portrays) is a great character. The camo army jacket paired with that genius American flag mask is a look that stands side by side with some of the classic slashers of horror history. I would like to see him return, as I think the character has franchise potential.

Another thing I dug about this flick was the gritty New York City atmosphere. The film manages to capture that seedy, grimy, dangerous, 42^nd Street quality of a bygone era of the Big Apple. It’s the same atmosphere that helped make films like Maniac, Basket Case, Frankenhooker, and Driller Killer so good. The sleaze is palpable. It’s something I haven’t seen done right in a horror flick since the ACTUAL grindhouse era, and it’s impressive that this one was able to pull it off.

The sleaze factor is, of course, helped by the fact that there is a copious amount of nudity. We never go more than a few minutes without some eye candy. The movie is bursting with bountiful bare breasts and flush with full frontal fun. James, you’ve definitely got a good handle on the basics buddy.

The soundtrack will be a polarizing feature of the flick. Metalheads will love it. Others, maybe not so much. Some will say that the soundtrack overpowers the movie, but I contend that this soundtrack is so integral to the film that it is a character in and of itself. Featuring metal bands like Cannabis Copse, Suffocation, Ghoul, Mausoleum, Skeletonwitch, and way too many more to list, this is definitely the best movie soundtrack since, well, James’s last movie. For the horror punk lovers like me, there are also contributions from Calabrese, Order of the Fly, Thee Flanders, Nightmare Sonata, and the almighty Bloodsucking Zombies From Outer Space. Trust me, this flick could attain cult classic status based on its music alone.

As is becoming his trademark, Balsamo has jam-packed I Spill Your Guts with cameos. Of course Uncle Lloyd is in there. Dave Brockie (aka Oderus Urungus from GWAR), Debbie Rochon, and Lynn Lowery also make a return. We get cameos by the incomparable John Link (Spiderbabe, The Collective vol. 2) and Tim Dax (Mr. Bricks, CSI). Andrew W.K. drops in to get his head split. The movie features some great independent film directors in acting roles, like Joel Reed (Blood Sucking Freaks, Bloodbath), Tim Ritter (the criminally underrated Truth or Dare series), and Donald Farmer (I Will Dance On Your Grave: Cannibal Hookers, Savage Vengeance). We even get to see ECW legend Balls Mahoney nearly cave someone’s skull in with a steel chair. These cameos run the gamut from a five second long non-sequitur (Brockie) to a major role in the story (Rochon), and playing “spot the cameo” makes for an additional dimension of fun for the viewer.

As far as the gore goes, it was damn good. Really damn good. Some of the kills are downright brutal, and that “getting head” scene was a classic. The final kill in the junkyard was awesome. I love that the effects were all practical, and they look great. There were a couple of kills that occurred mainly off screen though, and a couple that looked clipped for some reason. I understand that it was probably a budget thing. Like I said, there is plenty of gore on display, but with a title like I Spill Your Guts, I kinda expected an over the top, “paint the entire set red,” full on Das Kommabrutale style splatterfest. Then again, I’m horror-jaded as hell, and there’s no such thing as enough gore in my mind (I think Dead Alive still could have used more blood), so take that with a big ‘ol grain of salt. I do tend to ask for far too much as far as the grue goes.

The only thing I can really call this flick out on is the sound. Just like its predecessor, there are issues with the sound mix. The musical interludes are far louder than the dialog scenes, and the transition can be jarring. That needed to me smoothed out some. Seriously, that’s the only thing I didn’t like here. Well, there is the fact that the opening news footage was re-used later in the movie. That was kinda redundant. Other than those two things it was all good. Sure, there is some shaky cam, but the vast majority of it is first person, so it makes sense. That’s more than I can say for a lot of big budget studio releases these days. Sure a few of the performances are amateurish, but that’s to be expected, and the really good performances (especially the one by newcomer Billy Walsh) more than make up for that. Now if they would just fix that damn sound.

Random Thought #1: I absolutely love the Acid Bath Productions title animation. Love it. It cracks me up no matter how many times I see it.

Random Thought #2: All of the grammar in the text was right this time. Excellent.

Random Thought #3: Kelli Lynn Sage, who plays Heather, is insanely hot.

I had a blast watching this film, and I mean every word of praise I’ve given it, but I would be remiss if I didn’t throw out the same warning I did with Balsamo’s last flick. This is a “Video Fringe” film. Read the Hack Job review if you don’t know that term. It’s not glossy, it’s not “state of the art” from a technical standpoint, and it isn’t mainstream. It doesn’t have big budget gloss. It doesn’t have the current star from that CW teen drama. It doesn’t have contrived, safe scares. You know what else it doesn’t have? CGI. I love that. What it does have is originality, heart, soul, and balls. It also has some awesome death scenes and a killer soundtrack. Oh, and boobs. Can’t forget the boobs. What I’m saying is this, if you can’t get beyond the sanitized, hollow, cookie cutter drivel that studios are trying to pass off as “indie horror flicks” these days, then this probably isn’t for you. If you love a low budget, rough around the edges, fun as hell, truly independent horror flick with a head on its shoulders and another on the sidewalk, you will dig I Spill Your Guts just like I did. I can’t wait to see what Acid Bath serves up next. Both Hack Job and I Spill Your Guts are currently available from Wild Eye Releasing (LINK). One and a half severed thumbs up. Nathan says check it out.