Showing posts with label Burial Ground. Show all posts
Showing posts with label Burial Ground. Show all posts

Thursday, October 6, 2011

The Horror Movie Darwin Awards#26: Evelyn in Burial Ground: Nights of Terror

Truer words have never been spoken than that "You have to watch it to believe it" tagline. This one is for all of the mothers out there. There are a lot of things that you just shouldn’t have to tell someone. Some things should just be common sense. Some things shouldn’t even be a damn question. One of those basic imperatives is “Do not let your 12 year old zombie son suckle on your breast.” Read that sentence again. Give it a moment to sink in. I know that’s a lot of “WTF” to take in at once. Now, would the thought to do that ever in a million years even cross your mind? Didn’t think so. I don’t even know where to start with everything that’s wrong about that. Today’s winner did just that though. Seriously.

There are only two places in the world where a movie featuring someone doing something so unthinkable could come from, Italy or Japan. Italy gave us this one. I guess Japan was too busy making cartoon tentacle rape porn. Anyway, the flick is Burial Ground: The Nights of Terror. If I were to make a list of everything in this flick that makes absolutely no sense, it would take until Halloween. This flick is an absolute must see. Today we’re just focusing on Evelyn. Evelyn came to a secluded chateau for the weekend with a bunch of her friends. She also brought her 12 year old son Michael.

That’s him. Creepy as hell, isn’t he. He’s actually played by a 26 year old dwarf named Peter Bark and dubbed over by an adult man trying to sound like a little boy. Surrealism at its finest. Anyway, there’s a really bizarre incestual sexual tension going on between the two. At one point, this happens…

Yes, he’s second basing it with his mom. She was consoling him on a couch after a zombie attack when he starts feeling her up and talking about how much he loves her breasts. When he starts to, um, “try to steal third,” she slaps him and he runs off. As hard as it may be to believe, we’re not even to the stupid part yet folks. Later in the film only three people are left alive and Evelyn is one of them. They fight off some zombies when who should they encounter but the walking Oedipus complex himself, Michael. Michael is very much dead and very much zombified. Mommy doesn’t care, she’s just happy to see her baby. Apparently she’s had a change of heart. She was too hasty earlier. Remember what I said at the beginning about how there are certain things people should just know not to do? What she did next is precisely that. She ran to him, embraced him, let him pull her shirt open, and pushed his face into her heaving bosom, saying “Oh yes darling, just like when you were a baby. Go ahead, I know you want to.” I know what you’re thinking. The “Ewww” factor outweighs the dumbassery factor here, but for the purposes of the countdown we’ll focus on what a stupid thing that was to do. So, weirdo, how did that work out for you?

Apparently she forgot that zombies eat flesh. Congratulations Evelyn, you are today’s winner by virtue of your managing to put yourself in a position where you got half of your tit bitten off by your preteen zombie son. Yes, I really did just type that. What the hell is this world coming to? Way to go dumbass!

Thursday, June 23, 2011

30 Day Horror Challenge Strikes Back Day 23: Biggest WTF moment a character placed themselves into.

Again with the damn text abbreviations. Next challenge I participate in, I demand real words only! Anyway, Burial Ground: The Nights of Terror has gained cult classic status because it is 85 minutes of nonstop WTF moments. It’s a lot of fun, it’s pretty gory, and the action doesn’t let up once it gets started, but it has quite the abundance of head scratching moments. Why do the zombies look like they are wearing masks of Fulci zombies made out of paper mache and play-dough? Why is there a bear trap in the middle of the courtyard? Did that zombie just throw a huge nail like a throwing knife and make a shot Bruce Lee couldn’t pull off? Did you just actually put on old dusty lingerie that you found in a random drawer? Did someone really just say “Let the zombies in, maybe they’re not after us?” Is your big finish a freeze frame with nonsensical, misspelled text?

Apparently so. This will be a nigth to remember, so sayeth the Profecy. I love it. This movie is absolutely ludicrous, but it has such a surreal energy that it’s relentlessly entertaining. I would expect nothing less from Andrea Bianchi, the director who also gave us Strip Nude For Your Killer and Malabimba: The Malicious Whore. If you’re a fan of the bizarre side of Italian grindhouse horror cinema, you definitely need to check it out. I could go on forever about this flick, but I think I’m going to do a full review of this one down the road, so I’ll cut to the chase. There is one situation in this movie that trumps all of the others, and maybe any scene in horror history, in terms of sheer WTF-ness.

One member of the horny, clueless band of zombie fodder is Evelyn, who brought along her son Michael. That’s him right there. Michael was played by a 26 year old dwarf named Peter Bark and dubbed over by an adult man trying to sound like a little boy. This dude is straight up creepy. He’s, like, beyond Zelda in Pet Sematary creepy. He’s beyond Reverend Kane in Poltergeist 2 creepy. He’s beyond Zelda Rubenstein in, well, anything creepy. He just might be the creepiest character I’ve ever laid eyes on. Anyway, his clinging to mom has an air of inappropriate sexuality to it. He also ends up walking in on her getting it on with her boyfriend. Instead of staying under the covers, she gets out of bed, covers her lower afro (it was the 70’s after all), and stands there admonishing him topless. Hmmm.

Later, once the zombies start attacking, she sits on the couch, consoling her distraught son. Here is where it gets weird. Michael starts kissing on his mom, feeling her up, and talking about how much he loves her breasts. Seriously. Look at the picture to the left. He’s totally second basin’ it with mom! He gets a hand up her skirt and tries to “give her the finger” if you catch my drift, and mom slaps him and tells him no. Yes, THAT’s where he crossed the line. Mommy dearest, I do believe that we need to have a little talk about boundaries. Michael then gets upset, runs off, and is promptly killed by the zombies.

Fast forward about twenty minutes. Evelyn is among the final three survivors. They’re holed up in a monastery with a bunch of zombie monks, and that’s not even the weird part. Not even close. They’ve fought off the few zombies who’ve gotten in, very badly I might add, when who should come walking through the door but our zombified preteen perv buddy, Michael. He’s very obviously zombified, so Evelyn definitely knows that he’s one of those things that have been trying to kill her for the past day, but she does what any good mother would do. She runs to him, embraces him, lets him pull her shirt open, and pushed his face into her heaving bosom, saying “Oh yes darling, just like when you were a baby. Go ahead, I know you want to.” This scene definitely gets a place in the “Ewwwww” hall of fame. From the looks on the other characters faces while this is going on, I’d say they’re thinking the same thing we are.

What do you think happens next? You shouldn’t have to think too had about it. Evelyn, mother of the year, is rewarded for her incestuous weirdness with this…

Congratulations, you just got half of your tit bitten off by your own son. There is only one thing you can say about this whole reanimated Oedipal cannibalistic misadventure…WTF?

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