Showing posts with label Abed. Show all posts
Showing posts with label Abed. Show all posts

Saturday, October 19, 2013

What Halloween Means To Me '13 Day 19: Ryan Lieske


At the after party of 2011’s Buried Alive Film Fest, Philip Nutman (RIP) introduced me to Ryan Lieske.  I had just watched his short Down To Sleep and loved the tale of “Life/death, incest… and goldfish.”  He told me all about his next project, an adaptation of Elizabeth Massie’s story Abed.  At the Buried Alive 2012, I got the pleasure of calling Ryan to inform him that Abed had just won Best Feature.   It was also #4 on my Best Flicks of 2012 list.  Abed is an intimate, hardcore, and disturbing take on the zombie formula that actually adds something new to the subgenre.  I can’t wait for this one to get wider distribution, because more people need to see it.  This one is a little different, a little darker, and a little longer than the other entries on this countdown, but I think it’s gonna resonate with a lot of readers (maybe even help them) and I applaud Ryan for bravely addressing some stuff a lot of folks don’t like to talk about.  So, Ryan, what does Halloween mean to you?



“There's no use beating around the bush, so I'll just come right out and say it: I haven't truly enjoyed Halloween in years. Too many years, possibly close to two decade's worth. You could argue, and I'd be right there in concurrence, that I have no business writing anything about this beloved holiday. But, please, stick with me here a second.



I love Halloween, I do. With every beat of my tired, curmudgeonly heart. Just because I confess to no longer enjoying the holiday, doesn't mean I don't want to. If I could, I would say to Halloween what I've heard several of my ex-girlfriends say: “It's not you, it's me. I've changed. But, can we still be friends?”



So, what's the problem here?



 Well, first off, I refuse to fall back on that old excuse, “Halloween has become too commercialized.” Yeah, of course it has. That's what we do to holidays. Hell, as of this writing, I've lived through 38 Halloweens and I can't think of a single one of them that wasn't commercialized. Even a few short years after being pulled from the primordial soup of my mother's womb, I remember going into supermarkets and seeing row upon row of prefab ghost and goblin costumes, trick-or-treat bags made in Taiwan, and DIY pumpkin-carving kits. Shit, every sitcom and cartoon series in the 70s had a special Halloween episode, and don't even try to tell me that cheapie plastic Dracula fangs are a new thing. No, the second someone realizes they can make a buck off of something by peddling convenience to the masses, they will. And no holiday ( authentic, or otherwise ) has ever been immune. ( I mean, come on, those General Mills Monster Cereals we all love so much? They're an excuse to sell sugar to kids, nothing more.  And, yes, I still buy them every fucking year., even though they've haven't tasted any good since 1983. )



So there is no disdain on my part for the commodification of Halloween. If anything, it's the one reliable constant of the holiday for me. I know that every year, come July, the Independence Day merchandise will disappear and Halloween decorations, costumes, and packaged candy will hit the shelves and I'll get a wistful smile on my face ( which, of course, only lasts a week or two, because the Christmas stuff has to be out now around Back-to-School time. ) Cheap and chintzy as it all is, I love it. Costumes for my cats? Love 'em! Skull-tipped egg-beaters? Gotta have one! Sexy werewolf nun costumes? Ooh, baby!



(  The one thing I can't stand at Halloween? Haunted Houses. Well, at least the ones that invade my neck of the woods every year. Look, clowns covered in neon pink spray-paint, flailing around to Rob Zombie's greatest hits are NOT scary, never WILL BE scary, and need to go the FUCK away. )



But even this, this crass, corporate stab at All Hallows' Eve-ery is just a fleeting moment of joy for me. I can't maintain the macabre mirth anymore. And every year, I vow to myself that I will embrace it, and revel in it, no matter what else may be going on in my life. Every year I make a pact with myself that this year I will learn to enjoy Halloween again. And every year, I fail. Miserably.



Like I said: it's me, Halloween, not you. And I blame a lot of my autumnal ennui on the depression I've been struggling with for the last twenty years. Truly, this is a psychological condition I have been living with my entire life, but I didn't know that until I finally confronted it, and named it, in my mid-20s. Once I was successfully diagnosed with depression in adulthood, I was able to retroactively diagnose my entire life. And man, did it explain a lot.



The ravages of depression are well-documented. Sylvia Plath and Elizabeth Wurtzel now share shelf-space with thousands of memoirs detailing the sundry horrors of living with the disease, each more “harrowing yet hopeful” than the next. Pharmaceutical companies spend ( and rake in ) billions of dollars a year by pimping their panoply of mood-regulating drugs in magazines, on TV, and along the borders of our Facebook newsfeeds. If you're reading this in a coffeehouse or restaurant, look around you: if you aren't currently medicated, then you're probably in the minority. The Pod People outnumber you, Mr. Sutherland. I should know: I'm one of those Pod People. I've been on Paxil ( and briefly on Zoloft ) since the mid-aughts, and I was shocked when I came out about it how many of my friends were on them, too. I never wanted to be on one of these drugs, but I'd be lying if I told you that they didn't save my life.



All I'm trying to say here is that depression is no longer some occult malady, hidden away in some dim, Victorian mansion where the shades are always drawn. You've heard all the stories, you've seen all the movies, and listened to all the Nine Inch Nails albums. It's almost passe – fodder for the Louis C.K.s and Dr. Phils of our world. Hell, you know how it is. You've got a friend or a sister or a etc etc...



So what new insights can I share that you haven't heard a hundred times already today? Probably none. But what I can tell you is that my personal struggles with depression are intricately entwined with my loss of enjoyment with Halloween. And since we're here to talk about Halloween, that darkest of holidays, well, maybe you'll find my particular case of interest. Because there's reveling in the Dark, as all of us lovers of Halloween and Horror delight in. And then there's another breed of Darkness, one more insidious than all the ghosts and zombies and vampires cavorting about in the fog-shrouded necropolises of this most wonderful time of the year. There's a Darkness even darker, and trust me, it can suck all the fun out of loving the Dark.



Depression's greatest strength, it's most lethal skill, is its stealth. It enters like a breath of burning leaves and lies in wait, tickling your mental nostrils one minute, and then the next has you gasping for breath in the night, clutching at your chest and staring wide-eyed into darkness. You can almost see it. You can almost taste it. You can almost feel it tickling your skin. But just as soon as you think you've caught it, it's gone; it's mist, it's vapor, it's a thousand mocking giggles just around the corner. It knows the fears that you weren't even aware you possessed. It lurks around every smiling face, hurtling those fears at you without a moment's warning. You can be anywhere, it can be any time of day. It doesn't care. It's a cold, dead, emotionless thing, unfettered by decency or respect. Surrounded by family at niece's birthday party, or alone in your home, its only strategy is to throw those fears, that darkness at you when you are least capable of defending yourself. And anyone who's suffered with depression will tell you, you're always least capable of defending yourself. It's hard to combat an enemy you didn't even know you had, much less one that has no concern whatsoever about motivation. It's the proverbial dog chasing the car ( so eloquently soliloquized by the late Heath Ledger in The Dark Knight ), that has no idea what it will do with the car once it catches it. “Hey, pal,” it says, “that's your problem. I just fucked your mind up big time, and I have no idea why. You deal with it.”



I had no idea I was being attacked that first time. I didn't even know I had been attacked until years later. And by then... Well, the damage was severe. And I'm still figuring out how to repair it.



Essentially, at one point during the early 90s ( I can't recall which year ), I slept through Halloween. Slept right through the entire holiday. I don't remember entirely why I did, only that it had something to do with the phase I was in back then where I beating myself up on an hourly basis regarding every little mistake I'd made in my life up to that point. I know that sounds vague, and sort of cavalier, but it's the truth. There was a point back then where I literally threw myself into an emotional purgatory. I would be lying awake at night, or driving to work, and some memory would flit into my head, some cross word I'd said to somebody, or some lie I'd told somebody back in junior high school, or whatever,  and I would be immediately stricken with an overwhelming urge to either fall down on my knees in prayer to a God I wasn't even sure I believed in, or slam my car, full-speed, into the nearest oncoming semi. It was like being smothered by a thick, transparent blanket. I would go cold, tears would tickle the rims of my eyelids, and I would just stare into space, cursing everything about myself: the Gift of Life had been wasted on me; my poor parents had brought a complete waste of flesh into this world and I wished  I could just disappear and be wiped from their memories, so that they would never have had to live with the shame of me. It didn't matter that the infraction I was berating myself over might be something as minor as having lied to get out of a family dinner, or that I once stole a candy bar from a kid's desk in 3rd grade. It was a collection of things, from my entire life, that added up to one big reason why I didn't deserve to draw breath. I hated myself so much back then. And everything I saw, heard, thought, or felt was my depression telling me that I'd better hurry up and die, so that the world could get on with itself. Oh, and try not to leave too much of a mess, it would say. No one's ever wanted to clean after you, anyway, you know?



I know it was getting close to Halloween at this time, because if there was one positive thought fighting for space in my head, it was that I was going to enjoy the holiday this year, no matter what. I remember that the previous year's Halloween had been a bit of a disappointment, and I was determined to make up for that. But no matter how much that pleasant reverie might blossom, it would only last for a few minutes, maybe an hour at the most. Because my depression was right there waiting, reminding me that I had no business hoping for anything.



So, whatever it was on that particular day that was eating at me like a psychological staph infection, I remember crawling into bed sometime in the early afternoon, and not waking again until around the same time the following day. That day had been Oct. 31st, and I'd totally slept through it. I don't believe that I was even cognizant of the fact that it was Halloween. In my depressed delirium, I knew it was just a day like every other day of late, and that there was no use participating in it. It's the first time in my life I can recall using sleep to escape from my life. And I don't just mean a little catnap to get rid of a headache, or something. No, this was a full-on Escape from Reality, that had nothing to do with rest, and everything to do with “checking out.” I'm sure I hoped that I wouldn't ever wake up, that some dream would guide me to my death, and I wouldn't ever have to face my thoughts again.



Naturally, when I did awaken the next day, I new exactly what holiday I had missed. I had promised myself that I would enjoy it this year, and I had failed. The depression had been right. I couldn't even manage to put on a festive facade for a few hours with my friends, for a holiday that had always been my favorite. I was useless. The happiness that filled my life up until that point was the lie; this current state I was in was the Real Me. Obviously.



And, of course, I made the same vow that next year I would enjoy Halloween. By then, I just knew, and hoped ( but didn't believe for one second ) that this wave of depression engulfing me would be over and I would have my life back. By then I would have fought it off, and returned to being Ryan Lieske, who dreamed of being a horror novelist and filmmaker, who loved movies and books and music and friends, who grabbed life by the hair and forced it to his will. Yes, by this time next year, I will be that Ryan again, and nothing is going to get in my fucking way.



Sigh...



A year is a long time. And, as with most things involving depression, it can seem paradoxically longer and yet shorter than it really is. Time means very little in that suffocating fog of fear, doubt and self-loathing.



Over the course of that year, things only got worse. Though I continued to feel as though I was better off dead and buried, I began to desire life even more fervently. In what was one of the most indescribably nightmarish periods of my life, I was suddenly seized by the irrational fear that if I thought too much about Death, I would, without trying, will myself to die. I would literally lie in bed for days on end, repeating the word “live” in my head, for fear that if the word “death,” or even an image of the word “death” appeared to me, I would die. I lost a job over this. All I did, for months and months on end, was lie in the dark and repeat that word in my head, hoping to somehow hypnotize myself into falling asleep. For those five or six hours of fitful sleep, I had some reprieve; but the second I awoke, the word “death” would enter into my head, my defenses momentarily compromised by my slumber. I would feel my skin tingle as though ice were leaking from my pores. My head would swim and my vision blur. “Life!” I would scream in my head. “Life! Life! Life!” and eventually the ice would melt, and I would breathe. I would sit, holding my chest, staring into space, “Life!” resounding in my head, though what I was living then was anything but life.



I looked forward to nothing. I only hoped that maybe somehow, some way, this obsessive affliction would pass, and I would return to normal. But months passed. I somehow managed to find a new job, and I still managed on occasion to hang out with friends and family, but I have no idea how. I have no idea how I must have appeared to them, then.



What I certainly do remember, of course, is that I slept through another Halloween. Probably through Christmas and birthday, for all I know. And if I wasn't actually physically asleep during those days, I was certainly asleep in every other way. Enjoyment for anything had been taken from me, for how could I possibly enjoy eating, or watching a movie, when those very things I used to love would cause my guard to slip, and that word, “death”, would sneak into my thoughts and take it all away?



By this point in time, I had lost all sense of direction in my life. Any dreams I had once had had been extinguished. I was existing ( subsisting, really ) on a second-by-second basis. Who has time to think of the future, when at any second your present could snatched away by am infuriating, terrifying little word?



Writing this now, I know I can feel the dread and weariness of those months and years, but I don't know that it comes off as anything but silly here as I put it all down. Hell, it even seems silly to me, now, all these years later. I conquered it one morning by simply giving up. I laid down, told myself “fuck it,” and thought the word “death.” Just like that. I couldn't go on like that anymore, and I figured that if my body was going to somehow will itself to die, then so be it. It would be better than spending the remainder of my life going insane. I thought the word “death”, over and over, and let the ice run across my skin, my vision go blurry, and my head swim into the dimness of unconsciousness. It almost felt good.  About an hour or so later, I sat up. I was still there. My head didn't hurt. My skin felt fine. I got up, walked around the house, ate some dinner. I think I even went and rented a video. Sure, every once in awhile there was a discomfiting aftershock, and my head would start pounding, or my heart would skip a couple beats as I thought about “death” again. But it would pass.



It was around this time that I told my parents I needed help, and that I wanted to find therapy. And I did. Now, this was a tiny step forward, in what would be a very long journey. And I'm still on that journey. There are a hundred more stories I could tell about that journey; triumphs, setbacks, relapses, etc. etc. It's never been easy, and I still struggle with it every day of my life.



But you know what had always given me hope, after all this time, after all these years of fighting the demons in my head? Yep, Halloween. Those two years of horrific panic attacks and obsessive terror really caused me to slip from my life's groove, and I'm still trying to find my way back. I don't know if I ever will. But I have latched onto Halloween like a talisman, and kept it very close to my heart for all this time. I have never enjoyed it the same since. It pains me to say that, but it's true. But that's why I hold on to it like I do. It is a symbol of everything that I almost lost in those bleak days, and even if I never truly enjoy the holiday again, even if every year it feels more like a burden than a day of macabre mirth and merriment, damn it, I'm going to try!



Because I now understand that that is what coping with depression is truly all about: trying. You can't really beat it. You have to learn to live with it. You have to let it become a part of you, and you have to learn to embrace it as part of you. And no matter how many SSRIs you swallow, no matter how many hours you spend in therapy, no matter how my friends or family members tell you they love you and support you, even in your darkest moments, it will never let you go. If you are brave, you can harness some of that Depression's power, and make it work for you. Never all of it; it's too strong to concede too much of its authority. But if you are brave enough, you can learn to carry it with you, to hold it up against every hope you ever have, if only to make that hope shine even brighter.



Traditionally, Halloween is a time for facing the dark spirits that share this world with us. Whether you believe that metaphorically, or literally, it remains the same: Halloween is that time of year when the world begins to wind down. Plants wither and die. The sun shows its radiant face for fewer and fewer hours of the day. The cold creeps over the land and sends us burrowing into the warmth of our homes. In this dim time of year, the spirits of evil come out to play, to revel in the dampness and decay. And Halloween is our time to face them, to don costumes that echo the horrific visages of those nightmares beasts ( yes, Miley Cyrus masks count ). It is a time exorcise those demons. To hold them up against the dying light, to make that light shine just little bit brighter as it slowly tucks itself away for the year.



And Halloween is the time to remind myself of the demons I have faced, and continue to face. Every year I hold Halloween up before my eyes and say “I may not enjoy you like I once did, but whenever I think of that, I think of all the other stuff I do enjoy. And for that, I thank you.”



You see, Halloween? It's me, not you. And I want so badly for us to be friends again. Until then, I have a life to live. A wonderful, horrible, blessed, cursed life that I wouldn't trade for all the Happy Halloweens in all of history.



But let's see how things go when we meet up again, okay?  Because I promise you, Halloween, that next year...."


12 days ‘til Halloween, Halloween, Halloween.  12 days ‘til Halloween, Silver Shamrock.

Tuesday, January 1, 2013

The Best Horror Flicks Of 2012 Part Two: The Top Five



 If you missed the first part of this countdown, you can check it out HERE.


5. Cabin In The Woods

I’ll admit that I was kinda apprehensive going into this flick.  I’m not much of a Joss Whedon fan, and the way the press were falling all over themselves to verbally blow the guy made me nervous.  Luckily, this was the best thing to hit theaters this year.  It was meta without being condescending.  It was a flick by horror geeks for horror geeks.  Whether I was playing “spot the reference,” laughing at the knowing parade of clichés, or applauding when those clichés were turned on their heads, Cabin In The Woods made me glad to be a horror fan.  The fun factor even overcame the abominable CGI.  I have a feeling that the orgy of gore (goregy?) featuring every horror monster you can think of will be the most freeze famed and slow motioned scene in any horror flick for years to come.   With the homage’s coming so fast that repeated viewings are almost required, it’s like a cinematic equivalent of that “photo hunt” game we all get sucked into during slow nights at the bar.  Not scary in the least, but it’s the most enjoyable self-referential horror send up since Behind the Mask.

4. Abed

By design, post-Romero zombie horror is horror of the masses.  It’s fear on a pandemic scale.  Abed does something I’ve never seen from a zombie flick; it takes the scope of the undead backdrop and scales it down to make something truly intimate and disturbing.  Based on a story by Elizabeth Massie, this movie left the audience dumbfounded and maybe a little sickened at the Buried Alive film Festival, where it won Best Feature. I went into this one having never read the story, and I wasn’t prepared for where this was going.  It’s pretty damn hardcore, but it’s done with a gravitas that makes it as mentally and emotionally extreme as it is visually and thematically. It’s a very personal terror, and director Ryan Leiske does a great job of making us share the protagonist’s torment.  The zombie makeup looks fantastic.  50 Minutes is the perfect length for the story, but unfortunately it’s gonna make the flick a little hard to market.  Therefore it might be a little tough to track down, but trust me, you owe it to yourself to see this one.  Need more convincing?  It’s got zombie sex.  Yeah, I knew that would get you.

3. The Loved Ones

It feels like I waited to see this one forever.  It’s been appearing on top 10 lists for a couple of years now, but it finally got a DVD release in America this year, and it was well worth the wait.  This twisted flick is anchored by an amazing performance by Robin McLeavy as Lola.  If I were doing acting awards this year, she would have Best Actress in the bag.  There are so many elements that make this movie great in addition to my favorite villainess of the year, maybe even the decade.  We see a lot of Mother/Son psychotic pairs, but here we have a Father/Daughter duo that’s a nice change of pace.  The well played incestuous sexual tension between the two ratchets up the cringe factor.  The violence is brutal and unflinching, the cinematography and art design are top notch, and the story offers up a couple of wicked twists.  I have also rarely seen a film choose a song more aptly to weave into the narrative.  It’s a nauseatingly cheesy tune, but it fits Lola perfectly and, in context, actually becomes pretty chilling.  This Aussie flick is intense, darkly funny, and absolutely engrossing.

2.  Excision

Excision is a coming of age film gone horribly wrong.  Actually, it’s more like David Lynch and David Cronenberg taking turns brutally raping the memory of John Hughes while Alejandro Jodorowsky suggests positions.  Like The Loved Ones, the flick features a tour de force performance from its female lead, AnnaLynne McCord.  Hers is a complex character that will ring true for anyone who’s ever been the “weird kid” of their school.  Surrounding her is one of those “Holy shit, who ISN’T in this flick” supporting casts full of genre vets.  Veering back and forth between mundane suburbia and Pauline’s blood soaked masturbatory fantasies, this is body horror combined with a riveting character study, with both aspects laid bare and presented at their most raw.  Alternately touching and disturbing, this movie succeeds on every conceivable visual, narrative, and performance level.  It might not even be horror in the strictest sense, but this is genre filmmaking for people who don’t mind thinking.  If Richard Bates Jr. can pull this off in his maiden voyage in the director’s chair, I can’t wait to see what else he has in store for us.

1. Where The Dead Go To Die

You don’t watch Where The Dead Go To Die.  You experience it.  I can honestly say that it’s like nothing else I’ve ever seen.  It boggles my nearly unbogglable (yes, that is a word…now) mind every time I watch it.  It’s what extreme cinema is all about.  Some of the things that take place in this flick make Serbian Film seem like a Lifetime movie.  Visually, it has some of the most bizarre imagery I’ve ever seen, and that’s saying something.  The animation is, at times, crude and glitchy, but that only adds to the off kilter mind f**k that this flick is.  To some it may seem like shock value for shock value’s sake, but if you pay attention, there’s a lot of substance tucked between the brutality and perversion. Writer/director/damn-near-everything-else Jimmy ScreamerClauz managed to take the extreme subject matter and hallucinogenic visuals and weave them around an emotional core that will simultaneously tug at your heart strings and try it’s best to make you get reacquainted with whatever you last ate.  The fact that a lot of the story deals with children takes the flick to some rather uncomfortable places.  If you’re a sick freak like me though, there are some demented laughs to be had. 
At times this film struck me as a combination of Heavy Metal, Cannibal Holocaust, The Girl Next Door, Holy Mountain, Peanuts, Gozu, and a 90’s Tool video.   The word “nightmarish” is thrown around a lot in the horror world, but this might be the best cinematic representation of nightmare logic ever captured. You’re trapped in an otherworldly place where anything can happen at any time and you have no control at all.  You don’t even know what rules apply. Everything seems not quite real, but real enough to hurt if the trip decides to turn bad.
This is definitely not a film I would recommend to everyone.  Those whose tastes lie firmly in the mainstream and those with even slightly delicate sensibilities need not apply.  If you’re into subversive art, unique “video fringe” oddities, and effectively realized films that will actually challenge you as a viewer, this one is for you.  It manages to be mind blowing, gut wrenching, heart breaking, and soul shredding at the same time.  You may love it, or you may hate it, but if you just sit back and let the flick work its depraved magic on your brain, I guarantee you that it’s impossible not to be affected by it.  In other words, Where The Dead Go To Die punched me in places I didn’t think I had any more, and I love it when a film can touch me that way. 


Cabin in the Woods, The Loved Ones, and Excision should all be available wherever you get your DVDs and Blu-rays.  Keep an eye on the festival circuit for Abed and check out the film’s facebook page HERE.  You can get Where The Dead Go To Die HERE or on Amazon.
Well, there ‘ya go Cellmates, my picks for the best that the horror movie scene had to offer in 2012.  Do I have great taste?  Would I not know good horror if it buried a machete in my face?  Tell me what you think.  Now, let’s see what kind of shocking places horror takes us in 2013.

Thursday, November 15, 2012

Buried Alive Film Fest Recap: Day 1


Last weekend, the beautiful and historic Plaza Theatre played host to Atlanta’s premiere showcase of independent horror and psychotronic cinema, The Buried Alive Film Festival.  This year, yours truly was one of the judges, so I saw everything in advance, but sitting in a dark theater for two days watching hours and hours of fright flicks with a flask of whiskey and a bucket of popcorn is my idea of heaven, so that’s exactly what I did.  What gave me a horror-d on, and what didn’t quite measure up?  Well, before I break it all down for you, I have three things to say.  First, if one of these sounds like your cup of blood, then by all means, google it.  Some of these can be viewed online, some have trailers online, and almost all of them have sites where you can find screenings.  Second, right after Halloween next year, keep an eye on SOC (or HERE) for all of the details on how you can join me in scary silver screen paradise.  Third, as always… SUPPORT INDEPENDENT HORROR!  Now, on with the flicks.

DAY 1

The Shorts:

The Window Into Time – When a scientist is asked by an old classmate to recreate a substance described in an ancient manuscript, there are bizarre and dire consequences.  This Lovecraftian story of science meeting mysticism has a lot going for it.  It was well acted, and the animated elements were interesting, sometimes reminding me of a Tool video.  The story is entirely told in voice-over, which is fine by me because it is a cool story, but if you aren’t going to have any dialog then you should keep things moving a bit quicker than this flick did.  It could have been trimmed by 2-3 minutes and been much more effective.  As it stands, I dug this creepy slow burn flick, but thought it burned just a little too slow.

The Timeslip – A businessman crosses a busy city street … and suddenly finds himself trapped in another time.  Gone are the buildings, cars and people.  In their place is a never-ending forest and an unknown danger.  You know, Buried Alive almost could have had an entire programming block dedicated to “shaky-cam footage of people running through the woods” movies.  Unfortunately, I didn’t dig this one.  It was half over before anything happened.  It’s a guy walking through the woods, then the “menace” shows up, and it’s a guy running through the woods.  I spent the whole time waiting for something big to occur, but the payoff never came.  The cameraman REALLY needs to lay off of the caffeine or cocaine or whatever is giving him the shakes.  That one shot of the businessman in the rain with his briefcase did make me laugh really hard though.

Doppleganger/Idle Worship – I put these two together since they were made by the same filmmaker (Theo Pingarelli), and share the same style and thematic elements.  In both a skeleton arises and begins searching for others like him (Doppleganger) and something to worship (Idle Worship), with both searches ending in calamity.  I loved these.  I could watch a whole series of “The Misadventures of Skeleton Guy” shorts.  Nothing is ever spoken, but the music conveys everything you need to know.  Skeleton Guy (he doesn’t have a name, that’s just what I dubbed him) is a remarkable creation.  It’s hard to give a character emotion and evoke empathy for them without having them speak, but he doesn’t even have the benefit of facial expressions.  Yet, such emotion is conveyed through his movements that you immediately identify with this simple skeleton figure.  That speaks to Pingaelli’s skill as an animator.  I hope to see more in this series, which is a sentiment I heard echoed by many in attendance.

The Transmission – While a storm rages outside and Henry drinks his bottle of absinthe, he receives a television transmission – from his dead wife.  The first of the locally made shorts to be shown, The Transmission was also the best of the Atlanta offerings.  Visually, I can honestly say that I’ve never seen anything quite like it.  It melds actual Super 8 footage with high-def to create a nice dream-like feel. The acting is good, and the nods to classic horror flicks are an added bonus.  It has some comedic elements, but they never overpower the spooky atmosphere.  The only thing I didn’t dig was the incredible amount of grain, which may or may not have been added.  It was distracting.  There was a Q and A with the director at the festival, and his explanation of how some of the effects were done on such a low budget really impressed me.

Decapoda Shock – Winner: The Mind-F**k Award.  An astronaut returns to Earth after a fatal accident on a distant planet. When he discovers he has been the victim of a sinister plot, he decides to take vengeance on those responsible for the death of his family.  This short was the talk of the festival.  The Atlanta horror scene has a new folk hero in Lobster Spaceman.  Again, that’s not the character’s actual name, but it’s what he was referred to as by most of the attendees.  This flick fuses absurdity, humor, horror/sci-fi tropes, social commentary, animated sequences, and enough pure “that the f**k am I watching” to absolutely blow your mind.  The audience roared with laughter, and erupted in cheers and applause as the credits rolled both times it showed.  There’s a reason why Lobster Spaceman is front and center on the festival shirts.  The two Buried Alive screenings were the third and fourth time I’ve watched it and I was equally psyched every time.  Apparently Spanish director Javier Chillon has another short out there, and it just jumped to the top of my “stuff to track down” list.

Game – Winner:  Best Horror Short and Best Actress (Andrea Lee Norwood).  In a chase through the woods, these hillbillies have no idea what kind of woman they are hunting down.  From the great white north comes the second “shaky cam in the woods” flick.  The difference between this one and the other two…this one is awesome.  It’s well acted, features a really good creature design and makeup, and has a great ending.  The scenery is beautiful too.  About halfway through, there is a cool twist that struck me as very EC comics style, and that’s never a bad thing.  A really fun short, despite the cameraman’s Parkinson’s.  Pay attention through the credits, you’ll be glad you did.

Torturous – Winner: Best Comedy Short.  A case of mistaken identity brings a career counselor into the world of a professional torture artist.  It’s no secret that when it comes to comedy, I’m a very picky man.  People send a ton of bad indie horror comedy.  Most of it is of the goofy/silly/sophomoric variety.  Don’t get me wrong, that can be done well, but it’s not usually my thing.  That’s why it was so refreshing to see a smart, well written, character and dialog driven comedy that made me laugh throughout.  The way this flick plays with the conventions of torture flicks is razor sharp.  Speaking of sharp, there’s a little nicely done gore too.  Great stuff.  It contained my favorite line of the festival; “I’m the drill guy, not the meathook guy!”

The Raven - December 1959: Poe, a young writer, has locked himself inside his seedy Hollywood motel room. Astray in his projected memories, he gets a visit from a dark bird named, Nevermore. This flick had some really nifty stuff going on visually, especially near the end, and the central performance was good; but for the love of Poe, give The Raven a rest.  We all know the poem, and The Simpsons already did it better than we’ll probably ever see again.  Don’t get me wrong, I absolutely adore Poe, but The Raven is just plain overused.  As I said, there were some cool visual touches here, but I think we should call a moratorium on The Raven until someone can offer up something truly unique instead of the thousandth variation on a guy yelling at a bird.

Ethereal Crysalis - Enter the multidimensional maze of the Ethereal Chrysalis, where the doors of perception become the annihilation of all rational thoughts. This was the runner up for the Mindf**k Award.  As I told some people at the festival, this is the kind of flick I can see my friends and I taking hallucinogens, watching repeatedly, and arguing for hours about what it means.  This is a visual feast of bizarreness, from the evil flying french fry to the bugman thing to…um…I’m not sure what a lot of that was honestly.  It might be the best representation of dream logic on screen I’ve ever seen.  It takes a LOT to get me to call a flick weird, but this one was freakin’ weird.

The Features –

Abed – Winner: Best Feature Maggie lost her husband, Quint, during the early days of the living dead plague. She now lives a life of quiet horror and desperation, for her mother-in-law will do anything to help the family adjust to this new world… even the unspeakable.  At this point, if you can show me something involving zombies that I haven’t seen before, I’m a happy guy.  When you do it with this kind of intensity and humanity, I’m enthralled.   I’ll go ahead and tell you now that you aren’t prepared for where this one is going.  It’s pretty damn hardcore, but it’s done with a gravitas that makes it as mentally and emotionally extreme as it is visually and thematically.  The acting was great, especially Vicki Deshaw-Fairman as Mama.  The zombie makeup looks phenomenal as well.  I’ll put it this way; normally the Plaza horror crowd is pretty raucous.  As this one played, however, there was stunned silence, which was only broken by a little nervous laughter and a girl behind me repeatedly saying in a disgusted voice “this movie is SICK!”  I loved this movie.  It’s currently making the festival rounds, so if you see it showing near you, trust me, see it!


Manborg - A soldier, brought back to life as a cyborg, fights alongside a band of adventurers against demon hordes in a dystopian future.  From Astron 6, the sick bastards that brought you Father’s Day, comes this hilarious post apocalyptic sci-fi/ horror/ action hybrid.  There is nothing about this flick that isn’t ridiculous.  It’s so over the top that you have no choice but to just go with it.  The effects are spectacular and awful at the same time.  Then, when you realize that it was made for less than $2,000, it becomes one of the most impressive feats you’ve ever seen.  The whole thing is played with that straight faced “yeah, this is cheesy as hell, and we know that, but we’re sure as hell not gonna wink-wink-nudge-nudge at you” comedic style.  It’s the dumbest, most entertaining thing I’ve seen in a long time.  I don’t know if the visuals would play as well on a TV as they did on the big screen, but Manborg is most definitely worth a look.  Incidentally, “You Dick” in the Manborg voice might have been the most repeated line of the festival.  It’s accompanied by a faux trailer for Bio-Cop, which I REALLY want to see as a feature.

The Breakdown –
Two Severed Thumbs Up –Doppleganger/Idle Worship, Decapoda Shock, Torturous, Abed, Manborg
One and a half Severed Thumbs Up – The Transmission, Game
One Severed Thumb Up – Ethereal Crysalis, The Window Into Time
One half Severed Thumb Up – The Raven
One severed thumb down – The Timeslip
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